Remember Goldilocks and the Three Bears? We don’t want too much or too little background on a character in a manuscript. We want it to be just right.
Read MoreThe Top 5 Editorial Mistakes I’ve Seen… and How to Fix Them, Part 1 of 5.
If you’ve taken a creative writing workshop or even a high school composition course, you’ve likely heard the advice: “Show, don’t tell.”
When we’re writing fiction or creative non-fiction, we want to show instead of tell, which translates to telling our story through a series of interconnected scenes, instead of summarizing the events that happened.
If a character needs a raise to pay the rent, the writer shouldn’t explicitly state, “Bob needed a raise to pay his rent,” at least not without also providing supporting details. Instead, she may place an important conversation between Bob and his work best friend in a coffee shop, where Bob explains that he’s having his second triple latte of the day at 10:00 a.m. after pulling an all-nighter with the quarterly earnings report.
So, yes, “Show, don’t tell.” You know that intuitively. But I’m here to explain part of the “why” behind this age-old adage.
Read MoreFive Organizational and Motivational Tips for Self-Revision (Video)
If you’re reading this, it’s likely that you’ve completed the first draft of your manuscript.
First off: Congratulations! Second: Hop in. I have five organizational and motivational tips to set you on the path for productive self-revision.
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