Writing workshops can be wonderful. They can connect with other writers, build community, and add strong points to your writing CV.
But workshops can also be perplexing and downright frustrating. Whose feedback, if anyone’s, should you prioritize? Do you have to take every suggestion into consideration, even the ones with which you disagree? Read on for Jessica Hatch’s best tips—gleaned from attendance in adjudicated workshops in three different countries—on making the most of your time in the Cone of Silence and beyond.
Read MoreWe as novelists and memoirists, due to the nature of our medium, can manipulate more of the five senses than screenwriters can. There are three other senses we can take advantage of that haven't necessarily worked well for cinema before: smell, taste, and touch. Read on to learn more.
Read MoreIf you’re reading this, it’s likely that you’ve completed the first draft of your manuscript.
First off: Congratulations! Second: Hop in. I have five organizational and motivational tips to set you on the path for productive self-revision.
Read MoreWaiting for an editorial letter? Here are 5 ways to distract yourself and avoid feedback-related anxiety.
Read MoreWhen it comes to planned trilogies, it can be challenging for the second installment to hold the reader’s attention. The overarching conflict is set up in the first book and concludes in the third. Meanwhile, in the second book, there’s often nothing to see for miles around but a whole bunch of rising action.
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