The Personal to the Universal, and Other Priorities in Contemporary Memoir

Have you browsed the narrative nonfiction shelves lately and thought, “Oh man, I don’t have it in me to read another grief memoir”?

Here are a few thoughts on the memoir market as it stands, a few things you might prioritize inside and out of your own work. A note before we get started: This blog post should be seen as a primer. It contains observations I’ve made in the recent past, while working with memoirists who have attained agent interest, that I feel will help improve memoirists chances of trade publication, but it is certainly not the be all, end all of advice.

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Hatch Editorial Services' Stance on Generative Artificial Intelligence

Hatch Editorial Services LLC does not use generative AI (here referred to as “genAI” or “AI”) agents such as ChatGPT, Claude, Microsoft Copilot, or Perplexity in conjunction with editorial work on any client’s manuscript, nor does it use genAI agents to create any editorial feedback or products for purchase. That is, it does not feed client work into an AI agent or use AI to draft editorial letters, line-edit manuscripts, or complete any other task related to clients’ intellectual property or to writers’ education.

Beyond the ways genAI is actively depleting our water supply; the fact it’s a probability machine that, by design, makes creativity trend toward the law of averages; and the piratical impact it’s had on our industry, Hatch Editorial Services has made this decision in order to fulfill its promise to provide high-quality, personalized work that retains the individual author’s voice. The use of genAI in an editorial capacity would only flatten that.

The choice to use or not use generative AI, however, is a personal one. Writers who use genAI as an assistant or as a tool in the early steps of the creative process (e.g., writing prompts, research, interactive outlining) are welcome to collaborate with Hatch Editorial Services, pending their ability to confirm the work is their intellectual property alone and does not include anyone else’s copyrighted material.

Ekphrastic Creative Writing: The Leitmotif

I'm a big fan of drawing ekphrastic inspiration from other art forms to inform my own creative writing, and in a stroke of luck (though maybe not for my husband), I recently rediscovered some of my teenage musical theater obsessions. As such, I thought I'd bring up one of my favorite elements to borrow from the world of music—the leitmotif.

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How Would You Like to Do This?

Instead of forcing my brain to create a lackluster and possibly unconvincing beat sheet, I took my solution straight from the pages of the Player’s Handbook (Fifth Edition) and made all characters involved “roll for it.”

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