Do you have too many book ideas and too little focus? How will you ever complete one project if these shiny, new concepts get in the way?
In this blog post, explore the pros and cons of being a multi-concept writer and learn four ways to work around this “good problem to have.”
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Here’s a little taste of my post, “When Is My Manuscript Ready for a Freelance Editor? A Cost-Effective Look at Polishing Your Novel,” which is all about finding the right freelance editor on a budget, along with a link to read the rest on Girl Tell Me’s website.
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We as novelists and memoirists, due to the nature of our medium, can manipulate more of the five senses than screenwriters can. There are three other senses we can take advantage of that haven't necessarily worked well for cinema before: smell, taste, and touch. Read on to learn more.
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I’ve known Tiffany Grimes, the editor behind Burgeon Editorial and Design, since we were wee and angsty writers participating in Teen Ink Magazine’s London Writing Program. Through the years our paths have crossed time and time again, and Tiffany is one of my favorite editors to follow on Instagram.
When I heard that she and two other editors (Jeni Chappelle and Carly Hayward) were hosting a virtual writing retreat all about character development in February 2021, I leapt at the opportunity to get more information and to share it with you.
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One of the most pivotal things I gleaned from reading through Negotiating with the Dead was Atwood’s four reasons why we descend into the underworld (i.e., why we write). Last week, I covered the first two: material wealth and to do battle with a monster.
Here, we round out the last two, and hopefully with them, challenge your sense of self as a writer.
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