Genre-Switching Without a Pen Name? A Trend Examined

Here’s a phenomenon I’ve noticed recently: Writers are increasingly publishing in more than one genre without developing a pen name and related brand. Instead, they’re publishing all their works under the same name (usually their legally given one).

How is this working for them? What are your thoughts?

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The Personal to the Universal, and Other Priorities in Contemporary Memoir

Have you browsed the narrative nonfiction shelves lately and thought, “Oh man, I don’t have it in me to read another grief memoir”?

Here are a few thoughts on the memoir market as it stands, a few things you might prioritize inside and out of your own work. A note before we get started: This blog post should be seen as a primer. It contains observations I’ve made in the recent past, while working with memoirists who have attained agent interest, that I feel will help improve memoirists chances of trade publication, but it is certainly not the be all, end all of advice.

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6 Tips for Finding and Using "Comp" Titles

If you've been querying agents for more than five minutes, you've likely heard of comps.

"Comp" or comparative titles are exactly that: books—and in some cases TV shows and movies!—that your book's plot, characters, and/or theme can draw a direct line of comparison to.

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